Pics of movie posters8/29/2023 ![]() ![]() Look closely and you'll see it's replicating, each new copy fading away… Designer view:Īndy Thomas, creative director at Huge: "A wonderfully minimal and striking movie poster that beautifully captures the isolation and loneliness one would feel 950,000 miles from home: Sam Rockwell looks pretty bloody miserable! It's lovely, simple and very graphic while avoiding the usual moony clichés." 08. Then there's the actor's name, typed solitary and understated in the top right-hand corner. The one-sheet is laced with lunar clues, from the empty black void to the swirling, Vertigo-esque circles forming the moon itself, with the diminutive, slightly cowed form of Sam Rockwell at its centre. We created an image that explored these themes and stylistically took influences from 60s and 70s sci-fi." One of the most exciting and prolific design studios of recent years, AllCity (who most recently created the theatrical campaign for La La Land) was responsible for the original poster for Duncan Jones' atmospheric sci-fi debut.Īccording to the London agency's official notes on the poster: "The main themes from the film are loneliness, isolation, madness and rebirth. Back to the FutureĪllCity's stylised moon brings to mind Saul Bass' poster for Vertigo But once you've experienced the film, you realise how perfect the poster design is." 05. It follows the old rule of not showing the creature and lets your imagination do the work. With its stripped-down, cold colour palette, bold graphic ice forms, and backlit character in winter gear, the poster only hints at what the movie is about and what The Thing is, does or even looks like. "At 9am a guy shows up at my doorstep and says, 'Is the painting ready?' I had about an hour to go, so I finished painting it and he took it away." Designer view:Īaron Blecha, artist and animator: "A simple, mysterious, terrifying design. They approved the idea and after taking some more shots, this time with a 35mm camera, Struzan went to work, painting through the night. Struzan used the snap as the basis of a sketch, which was faxed off to the studio. I dressed up in a winter snow outfit and my wife took a Polaroid of me." "I got an immediate concept, which is not unusual for me. "It was a very odd experience," Struzan told. And what's more: the publicity department have no photos to use as reference. They are remaking The Thing and need poster art: is he interested? There is a snag. It is 1982 and artist Drew Struzan's phone rings. Jurassic Parkĭrew Struzan was tasked with creating this poster overnight, with no concept art for reference "Of course all that went over my head as I queued for this film as a child, and I took its most apparent meaning: that of wanting a friend from outer space. Elliot is the innocent, needing guidance or salvation. is cast as Jesus and references to his sojourn on Earth continue through the film. "It's a reference to Michelangelo’s depiction of the creation of Adam in the Sistine Chapel, and that simple allusion heaps meaning on the poster. The former image embodies the Spielbergian modern urban fantasy but the latter is the more interesting. and Elliot's fingers coming together on a starry backdrop. Designer view:Īlex Mallinson, digital artist and animator: "E.T gave us two iconic images: the Elliot-on-flying-BMX symbol that graces later posters (and the Amblin logo) and the image of E.T. For Alvin, who died in 2008, the design also had a personal touch: the hand of the child in the poster belongs to his daughter, Farah. Spielberg himself is said to have suggested Michelangelo’s The Creation of Adam. Alvin would go on to create posters for films such as Blade Runner, Beauty and the Beast, Gremlins and this stunning creation for E.T. He was working as an illustrator at an animation studio when Goldschmidt recommended him to paint the poster for Mel Brook’s spoof Western Blazing Saddles. Little did he know that his little sideline would pave the way for a career that spanned 35 years and 135 movies. While still at college, John Alvin freelanced for Hollywood art director Anthony Goldschmidt. The hand in this poster belongs to the designer's daughter ![]()
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